PRESS

Performance review: A Score for Fed Square and Sun Songs

https://www.artshub.com.au/news/reviews/performance-review-a-score-for-fed-square-and-sun-songs-2592327/

World Premier of Mia Salsjö’s, A Score for Fed Square, performed by players of the Melbourne Symphony Orchestra, accompanied by drawings from Bates Smart & LAB Architecture plans of Fed Square, 26 October 2022

Mia Salsjö Exhibition Review: 1000 Year Plan for Gertrude Glasshouse, 4 October 2022

https://www.artshub.com.au/news/reviews/exhibition-review-1000-year-plan-for-gertrude-glasshouse-2583580/



MIA SALSJÖ is featured in the latest Artist Profile, Volume 60

Story VICTORIA PHAM

Photography by MIA MALA MCDONALD

https://www.scribd.com/article/589060581/Mia-Salsjo

 

Curating the contemporary

Remote studio dates #6 – Mia Salsjö

 

STUDIO ARTIST AT GERTRUDE CONTEMPORARY

Mia is currently undertaking a two-year studio artist residency at Gertrude Contemporary.

Mia is working on her upcoming project The Quietude.

 

MODES OF TRANSLATION | Documentary

Just arrived and a long time waiting. A snippet of a short doco made about Mia's work, process and Modes of Translation.

Click to watch

 

The 13th Havana Biennial

Mia Salsjö recently exhibited in the 13th Havana Biennial.

Watch her live performance at the world-renowned Fabrica de Arte Cubano.

The 13th Havana Biennial, the largest visual arts event in Cuba, runs from April 12 to May 12, 2019, with the commitment that the capital city of the island become a “cultural corridor” in which the creators and the public interact.

 

THE SCORE - MEMO REVIEW | The Ian Potter Museum of Art

“Mia Salsjö’s multi-faceted project reveals the processes and final outcomes of the artist’s acts of self-reflexive translation and scoring. Salsjö assigns notes to letters of the alphabet, and translates into music certain words that she feels correspond to her practice. She plots and expands these repetitive fragments into complex drawings (a number of which were on display), which also respond to architectural and spatial structures. Her work Modes of Translation (2016–17) was influenced by one particular site–the buildings of the National Schools complex in Havana, Cuba–and the final two-channel video featured nine violin students performing Salsjö’s composition under one of the school’s crumbling domes.”

— Kate Warren

 

PHOTOFILE REVIEW | LET IT SLIDE BY MIA SALSJö

mia_salsjo_photofile_85_dec_08.jpg

Review of Symphonic Encounters by Dan Rule. At Linden New Art Centre, Curated by Melanie Flynn and Racheal Vance